Shame and Its Sisters: A Silvan Tomkins Reader
Publisher: Duke University Press
ISBN 10: 0822316943
ISBN 13: 978-0822316947
Silvan Tomkins (1911–1991) was one of the most radical and imaginative psychologists of the twentieth century. In Affect, Imagery, Consciousness, a four-volume work published over the last thirty years of his life, Tomkins developed an ambitious theory of affect steeped in cybernetics and systems theory as well as in psychoanalysis, ethology, and neuroscience. The implications of his conceptually daring and phenomenologically suggestive theory are only now—in the context of postmodernism—beginning to be understood. With Shame and Its Sisters, editors Eve Kosofsky Sedgwick and Adam Frank make available for the first time an engaging and accessible selection of Tomkins’s work.
Featuring intensive examination of several key affects, particularly shame and anger, this volume contains many of Tomkins’s most haunting, diagnostically incisive, and theoretically challenging discussions. An introductory essay by the editors places Tomkins’s work in the context of postwar information technologies and will prompt a reexamination of some of the underlying assumptions of recent critical work in cultural studies and other areas of the humanities. The text is also accompanied by a biographical sketch of Tomkins by noted psychologist Irving E. Alexander, Tomkins’s longtime friend and collaborator.
From the Back Cover
""Shame and Its Sisters" will have a major impact on the study of culture in the coming years, and on several fronts. It is a significant contribution to the current rethinking of emotion and affect that promises to explore the limits of Freudian and dialectical models of the self, its pleasures, desires, and projects."--W. J. T. Mitchell, Editor, "Critical Inquiry"
About the Author
At the time of her death in 2009, Eve Kosofsky Sedgwick was Distinguished Professor of English, CUNY Graduate Center. Her many publications include A Dialogue On Love (Beacon, 1999); Fat Art/Thin Art (Duke, 1994); Tendencies (Duke, 1993); and Epistemology of the Closet (California, 1990).